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Unique Accidentals: 2
Unique Chords: 3-6
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Baroque
Packington's Pound
Jake Russell
1:04 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 16 5 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 16 5 2 5 100%
 
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)
Benjamin Davidson
3:10 Est. Play
Time
91 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 6 2 4 24%
Bass 24 18 8 5 87%
Violoncello Bass 22 0 5 4 87%
Violin Treble 26 0 11 3 76%
Chalumeaux
1		 Treble 15 0 4 10 66%
Viola 16 5 4 4 54%
Chalumeaux
2		 Treble 15 0 3 6 45%
 
Clarinet Concerto in D Major, Op.55, OW.22
IGitzDiz
10:39 Est. Play
Time
136 Measures
1,519Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 28 4 13 10 100%
Violino
II		 Treble 24 12 9 8 98%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 28 4 13 10 100%
Violino
II		 Treble 24 12 9 8 98%
Viola 22 2 8 7 97%
Violoncello
e. Basso. 		Bass 25 1 12 7 95%
Clarinetto principale
in
A/La		 Treble 31 0 13 10 75%
2
Corni
in
A/La		 Treble 11 5 2 7 26%
2
Oboi		 Treble 10 2 3 7 24%
 
Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.
Jamie Holdham
2:09 Est. Play
Time
102 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
 
Canon Pipe Organ
Classical Music Central
3:46 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
8'
Diapason		 Treble 19 24 2 6 100%
Bass 17 12 0 6 94%
16'
Diapason		 Bass 7 0 0 1 85%
16'
String		 Bass 6 0 0 1 85%
8'
Crescendo		 Treble 14 5 2 5 28%
Bass 14 2 1 4 25%
 
It will pass (Pasará)
Aman Àlvorak
0:54 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 3 5 100%
Clavichord Treble 10 6 2 4 73%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 3 5 100%
Clavichord Treble 10 6 2 4 73%
Bass 10 10 2 4 73%
Flute Treble 8 0 2 8 73%
Violin Treble 12 9 3 4 73%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
Rameau, La Boiteuse en Ré majeur
Paraskeνás
0:48 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 3 2 3 91%
Treble 20 0 1 3 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 3 2 3 91%
Treble 20 0 1 3 95%
 
invencion 10
Juan Cane
0:56 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 24 2 2 100%
Bass 15 5 2 3 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 24 2 2 100%
Bass 15 5 2 3 86%
 
Morlake's Ground
johnsmith1
3:06 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 17 2 12 97%
Bass 22 6 2 6 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 17 2 12 97%
Bass 22 6 2 6 99%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
BWV 245 N 14 - Chorale: Petrus, der nicht denkt zurück
edward.maurath
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
Alti 10 0 2 3 100%
Bassi Bass 13 0 3 3 100%
Bassono Grosso Continuo Bass 15 0 4 3 100%
Bassoon Continuo Bass 15 0 4 3 100%
Contrabassi Continuo Bass 15 0 4 3 100%
Flauto Traverso Treble 8 0 1 5 100%
Oboe 1 Treble 8 0 1 5 100%
Oboe 2 Treble 10 0 2 3 100%
Organo Continuo Treble 10 6 2 3 100%
Soprani 8 0 1 5 100%
Tenori Treble 13 0 4 4 100%
Viola 14 0 4 4 100%
Violin 1 Treble 8 0 1 5 100%
Violin 2 Treble 10 0 2 3 100%
Violoncelli Continuo Bass 15 0 4 3 100%
 
"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)
edward.maurath
2:46 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
Violoncello (Contniuo) Bass 20 0 2 10 96%
Contrabassi (Continuo) Bass 20 0 2 10 80%
Violoncelli (Continuo) Bass 20 0 2 10 80%
Violini 1 Treble 16 0 2 9 76%
Violini 2 Treble 16 0 3 8 76%
Soprano
as Mirtillo		 11 0 1 9 72%
 
HWV56N34 - Unto which of the angles said he at any time
edward.maurath
0:16 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
Cello Bass 4 0 1 1 100%
Contrabass Bass 4 0 1 1 100%
Tenor 8 0 3 4 100%
 
HWV56N39 - Their sound is gone out - (1743)
edward.maurath
1:08 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
Cello Continuo Bass 16 0 2 4 100%
Contrabass Bass 16 0 2 4 100%
Tenor 11 0 2 5 96%